Scriptwriter Tracey Jackson talks about The Other End of the Line starring Jesse Metcalf and Shriya Saran, and why the Amrican way of looking at India should change.
The joy that is the trademark of Diwali in India is missing in US celebrations of the festival
The Telluride festival -- held a week before the much larger event in Toronto, heralds the beginning of the fall film season in North America, showing a small selection of films -- Hollywood and international -- a number of which end up creating the buzz for the Oscar season.
British-Indian filmmaker Bharat Nalluri talks about his new film, Miss Pettigrew Lives for a Day.
If the film keeps our interest, it is because of the occasional comic moments and mostly since Kumar is there to carry the burden of a poorly written script. And he does it with a smile on his face. He is having fun entertaining us -- even when the film is going nowhere.
The film is flat, and it does no justice to its lead actor Mike Myers' reputation of a terrific entertainer.
Filmmaker Sarah Gavron tells us how she made Brick Lane with Tannishtha Chatterjee and Satish Kaushik.
For everyone, who has had unresolved issues with their fathers, Indian-German filmmaker Anand Tucker has a perfect Father's Day gift, albeit an emotionally charged one. His new film When Did You Last See Your Father? is a blessing of a film -- a heart wrenching tale about a man coping with his father's terminal illness, while coming to terms with his difficult teenage and adult years, aggravated by an overbearing parent.
In tough times such as the present, what is wrong if Sex and the City lets women dream a little, imagine a world with earthly pleasures of shoes and expensive designer name dresses? Nobody questions Steven Spielberg when he sends Indiana Jones on a long, ridiculous journey looking for a crystal skull. So why cannot women aspire to buy a pair of Manolo Blahnik, even at a price tag of $525?
Tarsem Singh Dhandwar, maker of The Cell, speaks about his labour of love, The Fall, which took 16 long years to make. The film is a fantasy and a story-within-a-story where we meet with an assorted mix of characters, including Alexander the Great, and Charles Darwin and his monkey in search of an elusive butterfly.
Rahul Bose talks about his latest film Before the Rains with Santosh Sivan. Bose plays the role of TK Neelan, an educated man in Kerala, who is torn between his two loyalties -- to his village, his roots, and also to his British boss who plans on building a road that would benefit his business. TK is the soul of Before the Rains, and Bose's performance is quiet and heart wrenching.
As the audience ushered into the Theatre Row's auditorium for the performance of writer Ayub Khan-Din's new play Rafta, Rafta, I had a very strong sense of dj vu, as if I had walked onto the sets of East is East.
Robert De Niro launched the Tribeca Film Festival as a measure to revive the lower Manhattan area devastated by the terrorist attacks of 9/11. Seven years later, the festival has become the largest film event in New York City. Manhattan is a perfect place for the festival -- combining the city's high film culture with its ability to party and celebrate.
A few years ago Mehreen Jabbar took a trip back home to Pakistan -- a visit required for her green card application process. Jabbar had worked for nearly 13 years producing and directing soap operas for Pakistani television, often while living in New York. During the visit, her father handed her an outline of a film script based on a true incident.
As an Indian American actor in Hollywood, Kal Penn has played very diverse roles from coping with the angst of being a brown-skinned kid who has to deal with the burden of his name and heritage in Mira Nair's The Namesake, to a slacker sitting on a toilet with a case of bad stomach in his latest Harold and Kumar Escape from Guantanamo Bay.
Looking at the Indian platter at the 58th Berlinale International Film Festival.
A film that purports to be a love story is in deep trouble if its lead characters do not connect and are not believable. And that is biggest flaw of Saawariya.
It took the director of Om Shanti Om a long time to reach where she is today. Her talent will continue to explode and surprise us.
Writer Asra Nomani, a friend of Daniel Pearl's, tells Aseem Chhabra why she doesn't believe in A Mighty Heart.
The Last Legion, however, is disappointing.
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